Physical Presence of Wang Bing in His Documentaries: An Expression of Minjian Ethics
Article by Sergey Zanchevskiy Abstract: This paper investigates the significance of the filmmaker’s physical presence in Wang Bing’s documentary cinema, analyzing how his shadow, voice, and interactions with the diegetic world shape both the aesthetical and ethical dimensions of his artworks. While Wang Bing’s films are often associated with observational […]