Blow-Up — Blows Up the Reality

Article by Cheng Ching Wan Abstract: Blow-Up (1966) directed by Michelangelo Antonioni, has been recognized as a masterpiece in world film history. This paper will investigate how Blow-Up, this very open text, in the sense of cinematic language constructing meanings as well as an illocutionary act with a word-to-world direction […]